movies. The platforms have realized that Africa is a great market when they have already reached their limit in other continents, says Mozambican director Pedro Pimenta, a UNESCO consultant on African audiovisual affairs.
Director Kassanda sums it up neatly:"Cinema is also a question of power: the power of who has the means to represent themselves."90% of Africa's cultural legacy resides outside the continent; audiovisual restitution is a battle for memory as urgent as artefact restitution.