The crayon drawings had gone largely unnoticed for months until Tam Do peered closer, and realised she had stumbled across something interesting.Do said the crayon-drawn portraits — of children Olivia, Tutu, Anok, Vicky, Isaih and Jasmine — reflect what is good about Melbourne's high-rise public towers.
"The youth of today is mostly tech-focused, but they have the ball they play around with. They have bikes and scooters that they ride in the hallways." In 2021, restrictions had eased to the point where Kitman Yeung was able to visit her family home for dinner."They were watching TV and they were cold, so they were cuddling. I just picked up my camera and said 'do you guys want to stay there?'," Yeung said.
"In the midst of everything, you still can't quite ever completely shut down that burning desire of creators and makers to create," she said. Prashanth Naidoo's artwork captured a moment of bliss during some of Victoria's darkest chapters in the first year of the pandemic. "I felt really cared for. I felt that even though things weren't going to get better immediately, there was the possibility that things can get better. I didn't feel isolated, I felt really held," Pourshafighi said.
Wall art really. To me it's defacing walls which should have been cleaned off straight away, by the kids, so they would learn not to do it again. Todays generations have no respect for other people's property.
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